Freeman Spogli Institute for International Studies Center for International Security and Cooperation Stanford University


Events




Divided Lenses: Film and War Memory in Asia  
Shorenstein APARC Conference

Date and Time
December 5, 2008
8:30 AM - 5:45 PM

Availability
By Invitation Only
RSVP required by 5PM December 3


Panelists
Michael Berry (panelist) - Associate Professor at University of California, Santa Barbara
David Desser (panelist) - Director, Unit for Cinema Studies at University of Illinois at Urbana-Champaign
Aaron Gerow (panelist) - Assistant Professor of Film Studies and East Asian Languages and Literatures at Yale University
Kyung Hyun Kim (panelist) - Associate Professor at University of California, Irvine
Kyu Hyun Kim (panelist) - Associate Professor at University of California, Davis
Hyangjin Lee - University of Sheffield, UK
Chiho Sawada (panelist) - Visiting Fellow and Professor in the Kiriyama Chair, Center for the Pacific Rim, University of San Francisco & Research Fellow, Stanford University Stanford University
Robert Brent Toplin (panelist) - Professor of History at University of North Carolina Wilmington
Ban Wang - Professor of Chinese Literature at Stanford University
Yingjin Zhang - Director, Chinese Studies Program at University of California, San Diego
Scott Bukatman (panelist) - Associate Professor Art and Art History at Stanford University
Alisa Jones (panelist) - Northeast Asia History Fellow at Stanford University
Jenny Lau (panelist) - Associate Professor at San Francisco State University
Daniel C. Sneider - Stanford University

The Walter H. Shorenstein Asia-Pacific Research Center is currently in the midst of a three-year research project, “Divided Memories and Reconciliation.” Divided Memories is a comparative study of the formation of elite and popular historical consciousness of the Sino-Japanese War and Pacific War periods in China, Japan, Korea, Taiwan and the United States with the aim of promoting understanding and reconciliation. The first phase, which has been completed, is a comparative study of high school history textbooks from all five nations, focusing on the way the textbooks treat the wars and their aftermath. The second phase focuses on the impact of popular culture, especially films, on the formation of public memory.
 
The main goal of this international conference is to examine the role of dramatic cinema in shaping popular and elite perceptions of the historical period from 1931-1951, ranging from the treatment of Japanese colonialism to the post-war settlement and the beginnings of the Korean War. Panelists will survey the cinemas of Japan, China, Korea and the United States, identifying important films made during the post-war period and their impact on war memory. The conference will then focus on key issues of the wartime period as they are represented in film, including the Nanjing Massacre, nationalism in Japan, the colonial experience in Korea and the Korean war. Finally, we will examine other forms of popular culture, including manga and anime.
 
This conference is aimed at promoting public discussion crossing national borders and disciplinary boundaries – and producing an edited volume for publication. It will be preceded by a film series, featuring significant films on this wartime period from China, Japan, South Korea and the United States. The series will conclude on the evening of December 4, preceding the opening of the conference, with a showing and discussion of Letters from Iwo Jima with director Clint Eastwood.

Location
Bechtel Conference Center
Encina Hall
616 Serra Street
Stanford University
Stanford, CA 94305
» Directions/Map


FSI Contact
Debbie Warren